They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. Click Instrumental Please submit as many Instrumental Cues as you’d like, online or per CD. Send them well-produced Orchestral Hybrid Instrumentals that have three “acts” (and good edit points) that build to a climactic crescendo! You must own or control your Master and Composition to submit to this opportunity. We think it'd be a good idea to avoid submitting anything that's too busy and could distract from dialog. The license fee for this placement is (up to) $250, depending on the ultimate use. TAXI # S201111WE. TAXI # S201031AR. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. (original theme with dialogue), Family Ties - Without Us - Johnny Mathis & Denise Williams, TV Themes - Seasame Street - Rubber Ducky.MP3, TV Themes - The Avengers (long version).mp3, TV Themes - The Bold and the Beautiful.mp3, TV Themes - Westerns - Bat Masterson(1).mp3, Who Wants To Be A Millionaire - The Heartbeat, Theme - Lamb Chops Play Along - The Song That Never Ends.mp3, Greatest American Hero (Believe It Or Not) - Joey Scarbury, Patty Duke Show (Cousins - First Season Version), laverne and shirley - (television's greatest hits (70's & 80's), Terms of Service (last updated 12/31/2014). Think of the type of music you might hear in a montage scene on Grey's Anatomy – that's what they're looking for! The Label also stated that they do NOT want to hear any lyrics that contain profanity. Your submissions should have infectious rhythms, soulful melodies, and excellent musicianship. Please avoid anything that's moody, dark, or depressing, as well as anything that has specific names, places, dates, times, brands, and/or profanity. Please submit well-produced Bossa Nova Songs with fun melodies, upbeat grooves, excellent musicianship, and well-performed, carefree vocals. This company is very aggressive and incredibly successful in getting Songs placed in Top-Rated TV Shows and some really big Feature Films as well! They’re looking for top-notch Songs in All Tempos that could fit on a playlist of these references, as well as other Songs in this general style: "What's Up Danger" by Blackway & Black Caviar, "Pray For Me" by The Weeknd & Kendrick Lamar. Authentic-sounding Bossa Nova-style Jazz ensemble instrumentation is the way to go for this pitch. This Company offers an EXCLUSIVE deal. IMPORTANT TAXI Tip: Sometimes EDM sub-genres tend to blur together, so be sure that the Instrumentals/Cues you submit really fall into the Trance genre. MODERN INDIE FOLK ROCK SONGS with Male or Female Vocals are needed by a successful Music Licensing Company with a GREAT track record of placements in Film and TV! Please submit as many Songs as you'd like, online or per CD; please include lyrics. TAXI # S201114DK. over the virtual ones to help your Instrumentals sound more authentic. Your submissions should have generally similar authentic rhythms, instrumentation, and melodies concepts heard in the references above. This Publisher is very interested in hearing those too! Good edit points and non-faded, buttoned/stinger endings are recommended for this request. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. All submissions will be screened and critiqued by TAXI. Use them only as a general guide for tempo, tone, and overall vibe. In 1976, he played the theme "I Still Can't Sleep" in Taxi Driver. If you submitted to listing #D200929EH, please send different material this time around. Although the references have vocals, please submit Instrumentals (and/or Cues) only for this pitch. plus-circle Add Review. Like the company said above, they want to hear Songs that start on the subdued side and gradually build into a huge, epic sound. TAXI # S201115RK. The song originally intended to introduce viewers to the world of Taxi was James’ “Touchdown,” which later became the title track of the smooth-jazz progenitor’s sixth album. You must own or control 100% of your Master and Copyright to pitch for this. You’ll split all upfront sync fees 50/50. Use them only as a guide for tempo, texture, and tone. Broadcast Quality is needed. Your submissions should have generally similar authentic rhythms, melodies, and lyrical concepts heard in the references above. Please avoid references to specific names, dates, times, places, brands, and profanity. NOTE: We recommend that you submit TWO or THREE Instrumentals per submission so they can see if you’ve got depth in your material. All submissions will be screened and critiqued by TAXI. Broadcast Quality is needed. All Submissions must be received no later than 11:59 PM (PST) on Sunday, November 1st, 2020. Have you inherited original old recordings that a parent or grandparent created? They’re eager to find a bunch of Mid-to-Up-Tempo Instrumental Cues in the general stylistic ballpark of the following references: Love & Hip Hop: Atlanta (from 0:39 to 1:02), Love & Hip Hop: Atlanta (from 51:05 to 51:38), Quoting the Library: "We'd love to hear modern, beat-driven Hip-Hop that is optimistic, fun, and quirky to go under dialogue and transitional scenes in Reality TV.". All submissions will be screened and critiqued by a TAXI screener. If you're using virtual instruments and samples, be sure that they're high-quality and not dated, stiff, or obviously MIDI-driven. Use them only as a general guide for tempo, texture, tone, and overall vibe. IMPORTANT NOTE FROM THE CLIENT: The client is NOT interested in hearing pre-made loops or synthetic, "in-the-box"-sounding Instruments. If you're using virtual instruments, be sure that they are super high-quality and sound like the real deal. Craft your Cues around a singular mood and melodic motif, and layer instrumentation in and out as they progress to create a sense of forward momentum and dynamics.

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