[5] Here Cotton processed film and printed her first black and white images. They separated in 1941 and were divorced in 1944.[3]. Olive Cotton Through the fence circa 1934, printed 1980 219.1980. Cotton attended the Methodist Ladies' College, Burwood in Sydney from 1921 to 1929,[7] gained a scholarship and went on to complete a B.A. [5] Her mother was a painter and pianist while Leo was a geologist, who took photographs on Sir Ernest Shackleton's expedition to the Antarctic in 1907. She exhibited quite frequently, her photography was personal in feeling with an appreciation of certain qualities of light in the surroundings. Tea cup ballet features on the cover of the book Olive Cotton: Photographer published by the National Library of Australia in 1995.[5]. The genres she explored include fashion, still life, landscape, wedding photography and portraiture, including children's portraiture. In mid-1947 Cotton went to live in the bush 35 km from Cowra, New South Wales, with her new husband Ross McInerney. Ticketed entry is in place to safely manage visits to the Gallery, so please book ahead. Olive Cotton (1911-2003) was one of Australia's pioneering modernist photographers. Cotton received numerous commissions in 1945, including photographs of winter and spring flowers for Helen Blaxland's book Flowerpieces, which also included some images by Dupain. Olive Cotton Darling Harbour circa 1942, printed 1985 414.1985. at the University of Sydney in 1933, majoring in English and Mathematics; she also studied music and was an accomplished pianist with a particular fondness for Chopin's Nocturnes. [2] However whenever possible Cotton photographed visiting celebrities or interesting objects in the studio, even capturing Dupain working in her piece, "Fashion shot, Cronulla Sandhills, circa 1937" and made portraits of him. Still Life is a Canadian men's & women's fashion retailer in Victoria & Vancouver, BC. In 1934, Olive Cotton graduated from the university of Sydney and began working in the studio of Australian photographer Max Dupain, who she later married then divorced after two years (Australian Government, 2008). 1946, photographed by Olive Cotton. Olive Cotton, Marian Drew, Sarah Goffman, Madeleine Kelly, Rosalind Lemoh, Nigel Milsom, Jude Rae, Grace Cossington Smith, Ricky Swallow and Michael Zavros. Olive Cotton Tea cup ballet circa 1935 218.1980. [2] Dupain was Cotton's first husband. Olive Cotton was born in Sydney in 1911, daughter of Florence (pianist/painter) and Leo (geologist) both whom shared interest in photography (Australian Government, 2008). Shots of flowers, poppies, ca. A book of her life and work, published by the National Library of Australia, came out in 1995. The shell belongs in some ways to the still life experiments Olive Cotton conducted in the studio – where she removed objects such as teacups, ice-cream cones and cardboard from their usual settings and usage, decontextualising them for pictorial reasons. 746, "Australian photographer Olive Cotton emerges from Max Dupain's shadow", Sydney Morning Herald obituary for brother, Frank Cotton and wife Marie, by Tony Stephens, 31 July 2008, https://en.wikipedia.org/w/index.php?title=Olive_Cotton&oldid=977230770, All Wikipedia articles written in Australian English, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, 1938 Group show with the Contemporary Camera Groupe at. Olive Cotton Max Dupain 1939, printed 1992 18.1993. She was a childhood friend of Max Dupain's, and in 1934 she joined his fledgling photographic studio, where she made her best-known work, the angular composition Teacup Ballet, in about 1935. Olive Cotton City view from 49 Clarence Street circa 1942, printed 1985 416.1985. A book of her life and work, published by the National Library of Australia, came out in 1995. Photographs taken for Greta Lofberg, December 1938, photographed by Olive Cotton. [4], ON 559/Box 23/nos. Olive Cotton's life and works provide an interesting and useful teaching and learning resource for the creation of an in depth unit of work in the primary classroom, particularly upper primary, around the conceptual framework. Olive Cotton (11 July 1911 – 27 September 2003) was a pioneering Australian modernist female photographer of the 1930s and 1940s working in Sydney. Her parents, Leo and Florence (née Channon) provided a musical background along with political and social awareness. Cherry blossom, ca. Cotton captured her childhood friend Max Dupain from the sidelines at photoshoots, e.g. Olive Cotton passed away in 2003, after a long life pursuing her love of photography, or as she saw it, a form of self-expression and “drawing with light” (Australian Government, 2008). Discover (and save!) Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons. 1946, photographed by Olive Cotton. Works by Olive Cotton sorted by artist surname viewing 20 works with images (view all 24 results, including works without images) Sorted by Olive Cotton Backyards and chimneypots 1930, printed 1985 413.1985. Tea cup ballet (1935) was photographed in the studio after Cotton had bought some inexpensive china from Woolworth's to replace the old chipped studio crockery. In the early 1980s an Australia Council grant spurred Cotton to reprint negatives that she had taken over a period of forty years or more. At age 11, Cotton was given her first camera; her love of photography grew. "Fashion shot, Cronulla Sandhills, circa 1937" and made several portraits of him. Olive Edith Cotton was born on 11 July 1911,[3][4] the eldest child in an artistic, intellectual family. The still life genre is often defined as the depiction of inanimate objects for the sake of their formal qualities such as: line, shape, colour, texture, tone, form, space and depth. She was a childhood friend of Max Dupain's, and in 1934 she joined his fledgling photographic studio, where she made her best-known work, the angular composition Teacup Ballet, in about 1935. Given a Kodak No.0 Box Brownie camera at the age of 11, Cotton with the help of her father made the home laundry into a darkroom "with the enlarger plugged into the ironing light". She taught Mathematics at Cowra High School for five years until 1964 when she opened a small photographic studio in the town, taking many portraits, wedding photographs, etc., for people in the surrounding district, where her work became well-known and much appreciated, although she was as yet unknown on the postwar city art scene until 1985. The prestigious Olive Cotton Award for Photographic Portraiture was set up in her honour and funded by Cotton's family and held at the Tweed regional gallery in New South Wales. Cotton's lifelong obsession with photography began with the gift of her first camera, a Kodak Box Brownie, when she was eleven. Cotton became a national "name" with a retrospective and touring exhibition 50 years later in 1985. Her contemporaries included Damien Parer, Geoff Powell, the model Jean Lorraine and photographer Olga Sharpe, who frequented the studio. The Cotton family and their five children lived in the then bushland suburb of Hornsby in Sydney's north. The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. For over thirty years selling clothing, footwear & accessories. [5] It has become Cotton's signature image and was acknowledged on a stamp commemorating 150 years of photography in Australia in 1991. Details Olive Cotton is renowned for the works she executed in the modernist style. Camping trips on Culburra Beach, N.S.W., 1937, Max Dupain and Olive Cotton. The resulting retrospective exhibition in Sydney in 1985 drew critical acclaim, and her reputation has since been assured. your own Pins on Pinterest We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present. Between 1939 and 1941 Dupain and Cotton were married, and she photographed him often; her Max After Surfing is frequently cited as one of the most sensuous Australian portrait photographs. After university she pursued photography by joining Dupain at his new studio, 24 Bond Street, Sydney. May 7, 2017 - This Pin was discovered by G.r. Among others, her work was shown in the following exhibitions: Cotton died on 27 September 2003, aged 92.

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